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Singing for Change!

The Huffington Post The Huffington Post 11/03/2016 Michael Berkowitz
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There is a soundtrack to the rising movement for social change. As activists put their shoulders to the wheel of progress, their voices rise to describe the struggle and urge others to join. The voices are varied. The songs are many. The singers are as diverse as the causes they espouse. But all over the country, particularly in the San Francisco Bay Area, the rising populism is tracked by the rise of a joyous noise.
Many of the current groups singing for social change trace their roots back to the Freedom Song Network. Principal organizer Jon Fromer put out a call for music workers and song sharing as part of the 1982 workshop "Art Works for the People." A couple hundred people answered that call. Many groups both came and were formed out of the workshop. Freedom Song Network still stands as a clearing house for individual singers and groups. Many are still vital voices in the movement for social change.

Vukani Mawethu had roots in the Network. The group was brought together by Fania and Angela Davis around South African singer James Madhlope Phillips. African National Congress Member and Union leader Phillips toured the world singing songs of freedom. Phillips and the Davis sisters organized an ensemble for his 1986 concert at the University of California.

Vukani Mawethu grew into a multiracial choir which still sings songs of everyday life as well as celebrations of freedom struggles from Africa and around the world. The songs, primarily from South Africa, are sung in Zulu, Sethu, Xhosa and English and include gospel, spirituals, labor and ballads which describe the battle against racism and for social and political freedom.

As Vukani prepares for its 30 year anniversary, co-ordinator Andrea Turner looks both to the past and to the future: "We are out in the community more, listening to people, trying to connect with the future and to bring new voices in, getting youth more involved in these ongoing struggles."
Occupella is of more recent vintage, starting around the Occupy movent. Nancy Schimmel, Bonnie Lockhart, Hali Hammer, Leslie Hassberg and Betsy Rose started singing and playing at Oakland and Berkeley Occupy sites and outside local banks particularly for International Women's Day. The group knew each other from Freedom Song Network and past work, including Lockhart's days with Red Star Singers, the work of Hammer and Rose in Singing for Peace, Schimmel and Lockhart playing in Plum City Players along with Jose Luis Orozco, and Schimmel's illustrious mother Malvina Reynolds ("Little Boxes," "Morningtown Ride," "What Have They Done to the Rain").
Occupella now sings at Berkeley's weekly Tax the Rich demonstrations, monthly at BART transit stations, labor picket lines, climate change rallies and workshops of the San Francisco Folk Festival. They conduct song swaps and maintain a useful, handy online songbook of original, topical and traditional parodies and rewrites. This musical manual is appropriate for all demonstrations and work toward a better world.
As Nancy Schimmel says, "We sing to promote peace, justice and an end to corporate domination! If you can think critically, you need to act. If you can talk, you can sing!"
San Francisco's Labor Heritage Rockin Solidarity Chorus also has roots in the Freedom Song Network. Since 1999, the chorus, made up of workers from many unions, has found homes at local community colleges and sung all over Northern California.

Director Pat Wynne, a labor organizer herself, steers the chorus to picket lines and demonstrations in support of organized labor. Wynne, a recipient of the Joe Hill Award in 2014, and her husband Gilbert write performances pieces and song books, as well. Her mission, Pat Wynne says, is to create a new canon of labor music that better reflects the diversity of the working class and its concerns.
Wynne, along with Hali Hammer and Liliana Herrera comprise the allied group The Re-Sisters. The group specializes in political parodies, humorous takes on serious subjects, satire in three part harmony from the divas of dissent.
The award winning, indefatigable Hammer, who like so many in the movement has played for decades, characterizes not only the group, but the wave as a whole as she describes the music: "We are more than just a sound track, but are the spirit, the humor and the heart of the movement for social change. Our words and actions help change the world and improve people's spirit and lives. Listen to us . . . but more importantly, join us. There is a lot of work to be done!"

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