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Academy Overhauls Animated Nominations But Who Will Benefit?


By Steve Pond

The Oscars Best Animated Feature category seems likely to have a full slate of five nominees for the third year in a row and this time, those nominations should be in the hands of far more voters than in years past.

In a significant change to the way nominations have been made in the category, voters on the nominating committee will now be able to view the eligible films on screeners, rather than having to attend special screenings at the Academy.

The change could significantly expand the number of members who vote on nominations. In the past, the volunteer committee that made the nominations numbered 100, divided evenly between members of the Short Films and Feature Animation branch and members of other Academy branches.

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But because committee members needed to see 80 percent of the eligible films for their votes to count, some insiders who closely follow the process estimate that the actual number of voters who participated was fewer than 100, and perhaps as low as 40.

Under new rules, the committee will be expanded beyond the usual 100, and members will be allowed to vote if they view the films on screeners rather than attending the special Sunday-night screenings in Beverly Hills, which will still take place. In addition, their votes will count if they see 66 percent of the entries, not 80 percent.

Rather than scoring the films on a scale of 6-to-10 on the spot at the screenings, committee members will be provided with mail-in ballots to record their scores. Online voting will not be used.

TheWrap has counted 14 films scheduled to qualify for the award, with a number of potential additional entries. If the field stays at 14, it will yield four nominees, provided enough films meet the minimum score required for a nomination. But if two more additional films enter, which seems probable, the number of possible nominees will jump to five, a number that was only reached once in the first eight years of the categorys existence, but three times in the last four years.

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Last year, the five nominees came from a field of 21 qualifying films. (The large number of films, along with the requirement that voters see 80 percent of the eligible films, meant that committee members needed to see 17 films before their votes counted.)

The old system, which relied on a small number of voters who were often craft-minded, and required that all films had to be seen on the big screen, was thought to help past nominees like The Secret of Kells, A Cat in Paris, Chico & Rita and The Pirates! Band of Misfits, which might otherwise have been lost amidst the bigger studio productions.

Although many in the animation community are not yet aware of the new system, some of those who know about it are approaching it with caution, worried that it may favor the bigger films.

As for what will be competing for nominations, 14 films seem set: Pixars Monsters University, Disneys Planes, Frozen and The Wind Rises (the latter from Japans Studio Ghibli), DreamWorks Animations The Croods and Turbo, Blue Sky/Foxs Epic,Universals Despicable Me 2, Sonys Cloudy with a Chance of Meatballs 2, Rainmaker Entertainment/Weinsteins Escape from Planet Earth, Reel FX and Relativitys Free Birds, and Ernest & Celestine, A Letter to Momo and possibly Approved for Adoption from GKIDS.

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Fox is distributing BBC Earths Walking With Dinosaurs in December, but the company will likely not submit it in the Oscar race. Smurfs 2 was released by Sony over the summer, but the first Smurfs movie was rejected by the Academy for not meeting the requirement that animation/live action hybrids be 75 percent animated.

Other potential entries include Bill Plymptons Cheatin, the South African comedy Khumba, Studio Ghiblis The Tale of Princess Kaguya, Phase 4 Films The Legends of Sarila, the Spanish film Foosball, the Brazilian Rio 2096: A Story of Love and Fury, the Russian "Snow Queen and the Weinstein Companys Leo the Lion.

As usual, the animated field contains more box-office powerhouses than the Best Picture contenders: Despicable Me 2 is the years second-highest grossing film in the U.S. at $361 million, Monsters University is fourth at $266 million, and The Croods is the years top-grossing original film (as opposed to adaptations and sequels) at $187 million.

Reviewers, though, have not embraced this years crop so enthusiastically. Hayao Miyazakis The Wind Rises has the highest Rotten Tomatoes rating, at 80 percent positive, followed by Monsters University at 78, Despicable Me 2 at 76 and The Croods at 69.

For now, the biggest contenders appear to be Frozen, The Croods, Monsters University and Despicable Me among the bigger titles. GKIDS Ernest & Celestine has picked up raves from overseas, while a real question mark surrounds The Wind Rises.

That film is the final feature from a true animation pioneer, Miyazaki, who won an Oscar in 2002 for Spirited Away, and it is visually dazzling but its central character is the aircraft designer responsible for Japans Zero fighter plane in World War II, which may make it tough going for some American viewers.

On the other hand, it doesnt have to appeal to everybody just enough of the Academys newly expanded animation committee to make it to the next round.

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20 Movies We're Dying to See This Fall

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Disney Animation, Pixar Sets Release Dates Through 2018

'Croods' Success Underscores Fox's Evolution Into Dominant Animation Player

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