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  • William Cameron Menzies - Wikipedia

    William Cameron Menzies (July 29, 1896 – March 5, 1957) was an American film production designer (a job title he invented) and art director as well as a film ...

  • William Cameron Menzies - IMDb

    William Cameron Menzies, Production Designer: Gone with the Wind. William Cameron Menzies was educated at Yale University, the University of Edinburgh and at the Art Students League in New York.

  • William Cameron Menzies -

    William Cameron Menzies: William Cameron Menzies, American set designer, one of the most influential in filmmaking, whose work on The Dove (1927) and The Tempest (1928) won the first Academy Award for art direction.

  • william cameron menzies | eBay

    Find great deals on eBay for william cameron menzies. Shop with confidence.

  • : essays

    William Cameron Menzies: One Forceful, Impressive Idea. David Bordwell. March 2010. William Cameron Menzies (photo by Karl Strauss) William Cameron Menzies was a wunderkind.

  • The Maze. 1953. Directed by William Cameron Menzies -

    Film. April 10 & 9. The Maze. 1953. USA. Directed by William Cameron Menzies. Screenplay by Daniel B. Ullman, from a novel by Maurice Sandoz. With Richard Carlson, Veronica Hurst, Katherine Emery.

  • The Maze (1953 film) - Wikipedia

    This was to be the second 3-D film designed and directed by William Cameron Menzies, who was known as a director with a very "dimensional" style ...

  • Art chap 12 Flashcards | Quizlet

    Start studying Art chap 12. Learn vocabulary, terms, and more with ... The drawings by William Cameron Menzies are examples of a vital part of the film-making ...

  • Things To Come (in Color): Raymond Massey ...

    THINGS TO COME was an ambitious undertaking at the time, not only in its subject matter ... from producer Alexander Korda and director William Cameron Menzies, ...

  • William Cameron Menzies: The Shape of Films to Come ...

    William Cameron Menzies: The Shape of Films to Come [James Curtis] on *FREE* shipping on qualifying offers. He was the consummate designer of film architecture on a grand scale, influenced by German expressionism and the work of the great European directors.

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