You are using an older browser version. Please use a supported version for the best MSN experience.

Meet a man who has lived alone on an island for 31 years

National Geographic logo National Geographic 27/03/2020 Michele Ardu
a rocky shore next to a body of water: Mauro Morandi has lived alone on Italy’s Budelli Island for 31 years. “What I love the most is the silence,” he says. “The silence in winter when there isn’t a storm and no one is around, but also the summer silence of sunset.” © Photograph by Michele Ardu

Mauro Morandi has lived alone on Italy’s Budelli Island for 31 years. “What I love the most is the silence,” he says. “The silence in winter when there isn’t a storm and no one is around, but also the summer silence of sunset.”

Millions of people around the world are under isolation orders to prevent the spread of coronavirus, but one man has spent the past three decades in isolation by choice.

a person sitting on a bench: Sunlight drenches Morandi’s porch, where he likes to dine and read during the summer. © None

Sunlight drenches Morandi’s porch, where he likes to dine and read during the summer.

In 1989, Mauro Morandi’s catamaran—engine crippled and anchor adrift—washed up on the coast of Budelli Island, located on a stretch of water between Sardinia and Corsica. As luck would have it, Morandi learned that the island’s caretaker was retiring from his post, so he sold his boat and assumed a new role.

Thirty-one years later, Morandi remains the sole resident and guardian of the island.

Maddalena Archipelago National Park is comprised of seven islands. Budelli is considered the most beautiful among them for its Spiaggia Rosa, or Pink Beach. The rose-colored sand derives its unusual hue from microscopic fragments of corals and shells, which have been slowly reduced to powder by the shifting tides.

a man standing in front of a sunset: Morandi is silhoutted against the light of the dying sun—his favorite time of day when the world seems to grow quiet. “We think we’re super-humans and divine creatures, but we’re really nothing in my opinion,” he says. “We must adapt to nature.” © None

Morandi is silhoutted against the light of the dying sun—his favorite time of day when the world seems to grow quiet. “We think we’re super-humans and divine creatures, but we’re really nothing in my opinion,” he says. “We must adapt to nature.”

In the early 1990s, Spiaggia Rosa was dubbed a place of “high natural value” by the Italian government. The beach was closed off to protect its fragile ecosystem—only some areas remain accessible to visitors—and the island rapidly went from hosting thousands of people a day to a hosting just one.

In 2016, after a three-year legal battle between a New Zealand businessman and the Italian government for ownership of the land, a court ruled that Budelli belonged to Maddalena National Park. The same year, the park challenged Morandi’s right to live on the island—and the public responded. A petition protesting his eviction garnered more than 18,000 signatures, effectively pressuring local politicians to delay his expulsion indefinitely.

“I will never leave. I hope to die here and be cremated and have my ashes scattered in the wind,” says Morandi, who is now 81. He believes all life is eventually reunited with the Earth—that we are all part of the same energy, which propels Morandi to remain on the island without compensation. The Stoics of ancient Greece called this sympatheia, the feeling that the universe is an indivisible, unified living organism endlessly in flux.

Despite his aversion to people, Morandi guards Budelli’s environment with fervor and educates summertime visitors about the ecosystem and how to protect it.

“I’m not a botanist or a biologist,” Morandi says. “Yes, I know names of plants and animals, but my work is much different than this. To be able to care for a plant is a technical task—I try to make people understand [why] the plant needs to live.”

Morandi said that teaching people how to see beauty will save the world from exploitation. “I would like people to understand that we must try not to look at beauty, but feel beauty with our eyes closed,” he says.

Winters on Budelli are both beautiful and lonely. Morandi endures long stretches of time—upwards of 20 days—without any human contact. He finds solace in the introspection it affords him, and often sits on the beach with nothing but the sounds of the wind and waves to punctuate the silence.

“I’m sort of in prison here,” he says. “But it’s a prison that I chose for myself.”

Morandi passes the time with creative pursuits. He fashions juniper wood into sculptures, finding faces hidden in their nebulous forms. He reads zealously and meditates on the wisdom of Greek philosophers and literary prodigies. He takes pictures of the island, marveling at how it changes from hour to hour, season to season.

This is not unusual for people who spend extensive periods of time alone. Scientists have long posited that solitude generates creativity, and point to generations of artists, poets, and philosophers who produced their greatest works in seclusion from society.

But the benefits of solitude may not be universal. “Solitude can be stressful for members of technologically advanced societies who have been trained to believe that aloneness is to be avoided,” writes Pete Suedfeld in Loneliness: A Sourcebook of Current Theory, Research and Therapy. Nonetheless, there are many secular and devotional cultures around the world that venerate and preserve solitude.

When Wi-Fi inevitably found its way to this nearly unpopulated island Morandi adopted it and began sharing his beloved piece of paradise with the world through social media. Embracing this new form of communication is his concession on behalf of a larger purpose—to facilitate a bond between people and nature by exposing them to its beauty. A bond Morandi hopes will motivate people to care for the planet wherever they are.

“Love is an absolute consequence of beauty, and vice versa,” Morandi says. “When you love a person deeply you see him or her as beautiful, but not because you see them as physically beautiful … you empathize with them, you’ve become a part of her and she’s become a part of you. It’s the same thing with nature.”

Michele Ardu is a photographer based in London. Follow him on Instagram @michelearduphoto.
This story was orginally published July 24, 2017. It was updated March 27, 2020.

More From National Geographic

National Geographic
National Geographic
image beaconimage beaconimage beacon