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Victoria para Chino 13 min https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 24/02/2021 13:57
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Maniac | Official Trailer | Netflix https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 24/02/2021 2:37
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Sin Nombre - Bande Annonce https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 24/02/2021 1:54
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Beasts of No Nation | Official Trailer [HD] | Netflix https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 24/02/2021 2:24
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Lalo Schifrin - The Exorcist (Rejected Score) https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 24/01/2021 2:56
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L'EXORCISTE SELON WILLIAM FRIEDKIN - bande annonce https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 24/01/2021 1:37
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Mourir d'aimer https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 20/01/2021 0:32
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Charles Aznavour - Mourir d'aimer (Audio Officiel) https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 20/01/2021 3:57
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Mourir d'Aimer Bande-annonce https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 20/01/2021 1:23
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SERGE REGGIANI - Gabrielle https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 20/01/2021 2:24
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Mourir d'aimer - Extrait https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 20/01/2021 2:26
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Qu'on ne vienne pas me dire.wmv https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 20/01/2021 3:19
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Anne Sylvestre Des fleurs pour Gabrielle https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 20/01/2021 3:03
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Elégie à gabrielle https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 20/01/2021 4:59
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Ristorante https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 19/01/2021 2:18
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Bande-annonce : Le Goût des autres https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 19/01/2021 2:13
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Jean-Pierre Bacri chante Bashung dans Place Publique https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 19/01/2021 2:49
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Bruno Latour - Où atterrir ? : Comment s'orienter en politique https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 17/01/2021 1:43:47
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Bruno Latour - Face à Gaïa https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 17/01/2021 7:24
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Dancing Queen | The Crown Season 2 Netflix https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 17/01/2021 2:31
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Naruto Sasuke vs Madara https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 14/01/2021 7:48
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NARUTO VF EN BLURAY - Kakashi sans son masque ?! https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 14/01/2021 1:39
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Naruto Opening 1 | R★O★C★K★S (HD) https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 14/01/2021 1:45
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Edgard Varèse - Poème électronique https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cXJM6.img Slate 13/01/2021 8:08
![a close up of Emma Stones face: MANIAC tells the stories of Annie Landsberg (Emma Stone) and Owen Milgrim (Jonah Hill), two strangers drawn to the late stages of a mysterious pharmaceutical trial. Things do not go as planned.
A Netflix Limited Series from Cary Joji Fukunaga. MANIAC arrives September 21.
Watch Maniac on Netflix: https://www.netflix.com/in/title/80124522
#Netflix #Maniac #EmmaStone
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About Netflix:
Netflix is the world's leading internet entertainment service with 130 million memberships in over 190 countries enjoying TV series, documentaries and feature films across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments.
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Maniac | Official Trailer [HD] | Netflix
http://youtube.com/netflix](http://img-s-msn-com.akamaized.net/tenant/amp/entityid/BBLz4sF.img?h=140&w=140&m=6&q=60&o=t&l=f&x=376&y=224 "Maniac | Official Trailer [HD] | Netflix - Provided by TIME Inc.")
![Beasts of No Nation, A Netflix Original Film. When civil war tears his family apart, a young West African boy is forced to join a unit of mercenary fighters and transform into a child soldier. Available in select theaters and on Netflix October 16.
SUBSCRIBE: http://bit.ly/29qBUt7
About Netflix:
Netflix is the world's leading internet entertainment service with 130 million memberships in over 190 countries enjoying TV series, documentaries and feature films across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments.
Connect with Netflix Online:
Visit Netflix WEBSITE: http://nflx.it/29BcWb5
Like Netflix on FACEBOOK: http://bit.ly/29kkAtN
Follow Netflix on TWITTER: http://bit.ly/29gswqd
Follow Netflix on INSTAGRAM: http://bit.ly/29oO4UP
Follow Netflix on TUMBLR: http://bit.ly/29kkemT
Beasts of No Nation | Main Trailer [HD] | Netflix Original Film
https://www.youtube.com/user/NewOnNetflix](http://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1dXw1d.img?h=140&w=140&m=6&q=60&o=t&l=f "Beasts of No Nation | Official Trailer [HD] | Netflix - Netflix")
![Poème électronique, for tape (1957-1958)
Transfer from the original master by Konrad Boehmer and Kees Tazelaar, Institute of Sonology, Royal Conservatory, The Hague, The Netherlands (c) 1998.
Poème électronique, part of a multi-media presentation created for the 1958 Brussels World's Fair, was one of the earliest compositions fully realized through electronics. Even though many of its sounds are easily modulated today, the work's dramatic conception has helped it to retain its vitality through the years.
Its creation began in 1956, when Louis C. Kalff, the artistic director of the Philips Corporation, approached the famed architect Le Corbusier to design their pavilion at the Fair. Le Corbusier replied with his concept for an "Electronic Poem" -- an audio-visual presentation that would transcend the usual bounds of architecture. Le Corbusier sought out Edgard Varèse immediately as his collaborator. There was some corporate resistance to this choice, but Le Corbusier was adamant, and further insisted that Varèse be paid handsomely for the work. Le Corbusier gave Varèse leave to do anything he wanted musically; the rapport between the two artists was instant and very supportive.
The composition of Poème électronique was very slow, beginning on September 2, 1957. Much to the credit of the Philips Corporation, which had strong reservations about the degree to which their pavilion had become an avant-garde affair, they generously put at the composer's disposal an enormous laboratory and technical support team. Because Le Corbusier was constantly globe-hopping and working on several projects at once, the composer often communicated instead with the architect's assistant, Iannis Xenakis, himself a gifted composer. It was he who, on December 21, played for the Philips representatives an excerpt of Poème électronique, much to their displeasure; they wanted something more consonant and conventional. When Le Corbusier was finally contacted in Chandigarh and told of the deadlock between the composer and the company, he told them that he would withdraw from the pavilion project if there were any more talk of replacing his colleague.
Varèse heard his completed work for the first time on May 2, 1958; it was projected through 400 loudspeakers scattered strategically throughout the pavilion. Some of the (difficult to describe) sounds from which it is made were conceived either as (1) "verticalities" -- short, mostly sharp sounds such as a huge church chime, small, imaginary grotesque creatures, percussion and machine-like sounds (complex spectral noise) -- or (2) horizontalities -- sustained, slowly modulated sounds such as primitive chant, sudden screaming, long tones, voices with impossible ranges singing from afar, a church in a jungle (modulated organ chords), and rocketship launch sounds. The piece's internal structure was based on classical Golden Section proportions and the Fibonacci series. Xenakis also contributed some musical material to be heard during intermission periods, and Varèse approved of this enthusiastically.
The completed pavilion combined Varèse's musical tape with an elaborate Le Corbusier-designed visual presentation, which was projected on the side of the building. It was a lukewarm success at the World's Fair; some critics preferred the music without the visuals; others were not fond of either element. The structure itself -- now thought to have been substantially designed by Xenakis -- was considered inadequate and poorly designed. However, the outpouring of admiration from artists of all media was impressive. On November 9, the piece was heard in New York, but its effect was much diminished because of limitations in the sound system used, and it did not hold up well outside of its intended context. Nevertheless, the work remains a hallmark of electronic composition. [allmusic.com]
Art by Charles Cajori](http://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1cIrDS.img?h=140&w=140&m=6&q=60&o=t&l=f "Edgard Varèse - Poème électronique - pelodelperro")
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